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Craft10 April 20263 min read

Canvassing: what you cannot see, and what it decides.

Between the cloth and the lining of a jacket, a canvas decides its shape, how it ages and how it follows the chest. Three constructions, three different garments.

By Gilles Masson, Atelier Mesure, Paris 7ᵉ

Canvassing: what you cannot see, and what it decides
Between cloth and lining, a canvas.

Open a jacket and slide a hand between the cloth and the lining, at chest height. What you feel, or fail to feel, is what separates a garment that will hold its shape for ten years from one that will lose it in two seasons. That invisible layer is the canvas.

Fused: glue instead of canvas

In a fused jacket, a synthetic interlining is bonded with heat to the back of the cloth. It is quick, it is consistent, and it gives a clean front from the very first day.

The fault shows later. The adhesive ages, especially after several cleanings: it lifts in patches and the front begins to bubble, those small irregular ripples across the lapel and chest. A jacket that bubbles cannot be saved. It is the most reliable way to date a construction.

Thermocollé : la colle plutôt que la toile, L'entoilage : ce qui ne se voit pas et qui fait tout
The glue ages, and the front begins to bubble.

Half-canvassed: canvas where it earns its place

Half-canvassing lays a floating canvas across the upper front, chest and lapel, and leaves the lower part fused or free. The canvas is not glued: it is held by stitches, so it can move with the cloth.

This is the best balance of structure and softness for a garment worn every day. The lapel takes a natural roll instead of a pressed crease, and the chest hollows slightly to follow the torso. For most working suits, it is the right construction.

Semi-entoilé : la toile là où elle sert, L'entoilage : ce qui ne se voit pas et qui fait tout
A floating canvas, held by stitches.

Fully canvassed: canvas to the hem

The canvas runs down to the hem. The garment takes longer to build, weighs a few dozen grams more, and behaves differently over time: it slowly deforms to the shape of the man wearing it, rather than resisting and then giving way.

This construction earns itself on pieces meant to last: ceremony suits, jackets in noble cloth, the dinner jacket. It asks for a cloth that deserves it, since building a full canvas onto a mediocre fabric is laying foundations for a shed. The full comparison of the three constructions is here: constructions and canvassing.

Entièrement entoilé : la toile jusqu'en bas, L'entoilage : ce qui ne se voit pas et qui fait tout
The garment slowly takes the shape of the man wearing it.
“Quality is what remains once the price has been forgotten.”
Aldo Gucci

Key points

Recognising a construction in three gestures.

  1. Pinch the front between two fingers: two free layers mean a canvas
  2. Look at the lapel in profile: a soft roll, not a pressed crease
  3. Look for ripples on an older garment: that is the glue letting go
  4. Half-canvassing suits the great majority of working suits
  5. Full canvassing earns itself on pieces meant to last
  6. A full canvas on a mediocre cloth saves nothing
  7. Repeated dry cleaning accelerates the ageing of a fused front

Canvassing is the only part of a jacket you pay for without ever seeing it, and the first you regret ten years later. It is also why, with the same cloth, two jackets behave differently. See how a suit is made, stage by stage.

See a canvas up close.

The constructions are shown at the atelier, Paris 7th.