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Weddings27 March 20263 min read

A spring wedding: the cloths that last the day.

A cool ceremony, a reception in full sun, an evening that turns cold again: a spring wedding asks one cloth to handle three climates in twelve hours.

By Gilles Masson, Atelier Mesure, Paris 7ᵉ

A spring wedding: the cloths that last the day
Twelve hours, three climates, one cloth.

A spring wedding is a day of several climates. You dress in a cool bedroom, wait on a windy forecourt, drink a glass in full sun, dine outside as the temperature drops. The suit does not change. The cloth has to absorb all of it.

Fresh wool, the default choice

A worsted wool of medium weight, between two hundred and forty and two hundred and eighty grams, remains the best compromise for April, May and June. It breathes, it settles back after a long spell seated, and it does not shine in photographs.

People often talk about Super numbers, 110s, 130s, 150s. The figure describes the fineness of the fibre, not its strength: past a certain point a finer cloth is more fragile and marks more readily. For a garment worn a whole day and kept for years, weight matters more than fineness.

La laine fraîche, le choix par défaut, Se marier au printemps : les tissus qui tiennent la journée
Worsted wool, medium weight. The compromise that holds.

Linen, and its misunderstanding

Linen is asked for because it is cool and refused because it creases. Both are true, and they are not contradictory: linen creases because it is hollow, and it is cool for the same reason.

The answer is blending. Linen mixed with wool or silk keeps the breathability and loses most of the creasing; pure linen suits a deliberately rustic wedding, where the folds are part of the picture. A linen suit deserves to be chosen for what it is, not in spite of what it does.

Le lin, et son malentendu, Se marier au printemps : les tissus qui tiennent la journée
Linen creases because it is hollow, and is cool for the same reason.

Mohair, for the long days

Less well known, a wool and mohair blend is the quiet weapon of late spring weddings. It brings a little structure, a very faint sheen, and it resists creasing remarkably well.

It is the cloth for those who know the day will run fifteen hours and that the group photograph happens at seven in the evening. It sits well with mid tones, blue, pearl grey, rosy beige, the shades that return every season in wedding suits.

Le mohair, pour les journées longues, Se marier au printemps : les tissus qui tiennent la journée
A very faint sheen, and almost no creasing.
« Simplicity is the ultimate sophistication. »
Leonardo da Vinci

Key points

The cloth for a spring wedding.

  1. Aim for a medium weight rather than a very fine cloth
  2. The Super number describes fineness, not strength
  3. Prefer a blended linen if creasing bothers you
  4. Blended mohair carries long days without folding
  5. Avoid very lustrous cloths, which flare under a flash
  6. Plan the lining for the hour of the dinner, not the ceremony
  7. Order early enough to allow two fittings

The right wedding cloth is not the lightest one. It is the one that will let you forget you are wearing a suit at the moment you have other things to think about. The groom's guide sets out the full timetable.

Choose the cloth for the day.

Spring cloths are at the atelier, Paris 7th.